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If you want a good example of why you bought a Dreamcast, take Raziel to the cliffs over the vortex in Soul Reaver and look down over the edge. The graphics here are simply incredible Soul Reaver was never lacking in the graphics department, but playing it on the Dreamcast you really do get the feeling that this was the way it was supposed to be played.

As a first example of a Tomb Raider-style game on the system, you could hardly ask for more. The quest itself for those of you unfamiliar with the PlayStation game is suitably intriguing and the story unfolds at a steady pace as you work through the enormous levels.

What’s most satisfying about the gameplay is that while it shares gameplay mechanics with the likes of Tomb Raider, this isn’t just running, jumping and killing stuff. There are some pretty convoluted puzzles that appear throughout the game, and what I liked most is the fact that all of the bosses require you beat them by solving these rather than simply hitting them on the head with a pointy stick.

Progression through the game rewards you sufficiently with new abilities to keep you satisfied–and it’s not until the disappointing ending that the game ever lets itself down.

The sequel can’t come soon enough. And I thought this thing looked good on the PlayStation. Soul Reaver really pops to life on the Dreamcast.

Heck, I spent a lot of the game just looking at stuff. Of course, the excellent story and puzzle-rich gameplay remain intact. And this is just the type of epic adventure the Dreamcast needs. But should you nab this game if you already beat the PlayStation version? The only thing you’ll get out of it is a showcase title that’ll wow your pals.

If you have a Dreamcast and missed out on Soul Reaver the first time around on PlayStation, get this game. Stunning visuals, tight gameplay, a gripping story–this game has all the bases covered. The game itself may be the same as the PlayStation version, but the quality of the visuals alone makes it all worth it. Core could learn a lot from this game, and if Tomb Raider controlled like this, it’d be a much better game.

A Dreamcast must-have. I feel bad for PS owners who bought Soul Reaver. This version is much more impressive. The lighting effects and colors seem twice as potent. It has to be among the top five prettiest games for the DC at this time. The faster frame-rate does wonders for Raziel’s mobility. Not that it’s bad in the PS version, but now It looks and feels extra fluid.

The only negative is the anti-climactic ending, but in light of everything else, Soul Reaver is worth the money. Crystal Dynamics has resurrected the dead with this sequel to Legacy of Kain. With 3D action as well as additional spelb and features, the Legacy lives on! Imagine, if you will, Lara Croft as a blood-sucking, soul-devouring undead warrior, and you’ll have a pretty good idea of what Soul Reaver is all about The story line continues the “evil” ending from the original Legacy of Kain where the vampires won.

Gone is the isometric overhead view of the first game, now replaced with a true 3D engine which lets the Soul Reaver a zombie-ninja ragamuffin with tattered clothes walk, jump, glide, fight, and devour souls. In the preview version, the jumping and positioning mechanics needed some desperate help. There were a ton of tricky and frustrating leaps to contend with, and some serious fog clouded up the backgrounds.

It may be that all of this evil will be cleansed in the final game. The developers at Crystal Dynamics are hoping that Soul Reaver’s cool new moves–like impaling vampires to the ground, then twisting in the stakes with glee–will keep previous Kain-sters happy and draw in a whole slew of new gothic gamers. It won’t be a hard sell. The game has a definite dark look to it with dungeons, deserted temples, and mysterious villages aplenty. And the developers have added a great, new environment-morphing feature which enables you to transform the real world into a parallel shadow world at the touch of a button, altering the terrain to reveal different entryways, shortcuts, and other goodies.

One minute you’re facing a deep chasm with no hope of leaping across to safety, and the next you’re strolling down a newly formed walkway. It’s an interest-ing development for a game full of nasty but amusing ses. Crystal Dynamics knows you can’t keep a good vampire down.

But how do you build upon the Kain legacy and still serve gamers well? The game is set in the grim gothic 3D world of Nosgoth. Kain is the leader of this vampire empire.

In his conquest of Nosgoth, Kain created five lieutenants to forge his legions. First born of these lieutenants was Raziel.

When the game begins, vampires are clearly in control of the land. They’ve destroyed most of the human kingdoms and are experiencing a renaissance. Huge furnaces were built to blot out the sun with smoke. Each vampire legion overseen by a lieutenant was granted land.

Kain held court in a vast palace built on the ruins of the Pillars of Nosgoth. All was well until Raziel had the audacity to evolve beyond his master. Vampires in Nosgoth become more powerful as they age. They mutate, becoming less humanoid and more monstrous. Raziel received a dark gift’ -wings. With this gift his abilities surpassed Kain s. Rain would suffer no challenges to his supremacy. For his transgression, Raziel was executed; cast into the Lake of Dead Souls – a fate reserved for traitors and weaklings.

As Raziel fell into the vortex his body was devastated. Flesh melted, wings in tatters, Raziel left the material plane. He became a creature of the spectral realm. In the spectral plane Raziel encountered the Elder. The Elder and Raziel struck a bargain; Raziel would have his vengeance against Kain for the souls of his brethren. Thus, the first Soul Reaver was created.

Now Raziel must stalk the ruins of Nosgoth feeding on the souls of his enemies as he hunts for Kain. Gameplay consists of three different elements; exploration, puzzle solving, and combat. Raziel begins the game in the spectral plane.

This is where you learn how to feed on the souls of creatures to get energy. After you fill your energy bar, you’ll be able to find a gate that will allow you to shift onto the material plane. When you return to the material plane, you’ll find that things have changed. Much time has passed from your execution to your return. This exploration is one of the compelling aspects of the game as is Raziels journey of self discovery. Puzzle solving ranges from the simple where do I go next to complex multiple step brain busters.

All the puzzles solutions are shown real-time i. Combat is very slick. To overcome hand-to-hand in a 3D environment, Crystal Dynamics created an autoface button. When autoface is engaged Raziel faces the closest enemy.

Very simple and intuitive. To defeat his vampire enemies, Raziel must use items he finds in the environment. He can rip stakes off of fences to impale his foe or grab a torch off of the wall to burn them. After defeating an enemy, Raziel must feed on their souls to survive. Another nice concept is immortality. Raziel can’t be killed. If he loses his energy on the material plane, he is shunted’ back to the spectral plane.

This gives the game a real organic feeling. You don’t spend all of your time dying’ and going back to your last save. All your time is spent in the game.

Character developmen is much the same. Raziel gains abilities b feeding on the souls of the vampire clan leaders lieutenants. This gives him new innate powers that alleviate the need for inventory screens.

Scattered throughout the game are glyphs. These are area affect spells based on elemental powers like fire or water. Visually powerful. Fantastic textures and environments.

It seems that several of the artists creating the game were former architects. It shows. Definitely some influences from Gaudi and Bauhaus. The–environments are great, but the effect of shifting from the specjral to the material planes is incredible.

 
 

 

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The elimination of save points and inventory screens also should make Soul Reaver one of the most seamless, immersive role-playing experiences to date. A millennium has passed since Blood Omen, when Lord Kain set his capital in the ruins of the Pillars and began his conquest of the world.

By dipping into the underworld and snaring souls, Kain has been able to build a cadre of vampires who have in turn helped him to pillage Nosgoth and subjugate the humans. The vampires revel in their new world and evolve in their powers, Changing into higher forms. Always Kain would Change first, followed a decade or so later by one of his lieutenants, until Raziel had the audacity to evolve first, becoming gifted with wings.

For his crimes Raziel has been cast into the Lake of Lost Souls, the execution ground for traitors, burning at the touch of the water.

After a time he could hear a voice through the pain, the voice of something primal, desperate, righteous, ancient. The Elder had always fed on the souls of Nosgoth, but the vampires had deprived it of sustenance. The Elder offered redemption to Raziel, if he would slay his former brethren and avenge himself against Kain. Let me start off by saying that I will be sending Eidos a bill for the replacement cost of my sidewinder gamepad. This game made my hands sweat so much that I think I shorted it out.

But I guess after sitting in front of the computer for six straight hours playing the game, even the best player would have sweaty fingers. But seriously, Soul Reaver is so addictive that you will lose track of time and you will definitely build up any calluses that you might have on your thumbs. The game is easy to grasp and even a person without very good eye-hand coordination will be able to pick it up within about 10 minutes. At the very beginning of the game there is a little tutorial on how to do some simple moves.

One of the things that made the game so enjoyable was the fact that I didn’t have to memorize 32 combinations to beat the enemies. I can’t stand games that make me contort my hands into pretzels while I try to master the double lindy.

Do not think that Soul Reaver is just an action, hack and slash game. It also has some really good puzzles in it. They are not as hard as Myst but I found that they could be quite challenging. If you find that you can’t do anything in a level just go into the Spectral world and sometimes the world changes enough for you to figure out what the objective is.

I wish I had a quarter for every time my wife told me to go to the Spectral world and that solved the problem I was having. Anybody who has played the Tomb Raider series can tell you that the graphics from Eidos are always cutting edge.

I was simply blown away by how the game looked. The graphics were so good that my wife actually came over to the computer and watched me play. The game has to be really good if she wants to watch. The different regions in Nosgoth were unlike any other region. Personally I liked the snow area towards the end of the game. When I walked through the canyon and came out into an open area with a fortress on the left, both my wife and I sat there and said ‘WOW!

It was definitely an impressive sight to see this building with the snow falling around us. I had to stop and look around the place for a little while and just soak it all in. Not many games make me pause and look at the scenery, but this one made me slow down and scope things out. The cut scenes in the game were done very well. They kept the storyline going and gave me a little break from mashing my thumb on my gamepad.

The only problem I saw with them was that the mouths on the people did not move. I know you have heard that from me in the past with other games but I do find it annoying when the people seem to talk through telepathy. This has got to be the creepiest game I have ever played in my life!

The sounds were the best I have heard in a long time. The music fit the mood and made the game feel like I was watching a movie unfold in front of me. It would get intense when I was in battle and then taper off when I was running around trying to solve a puzzle. When I killed a vampire the sound of the blade going the through undead flesh sent a shiver down my spine. I almost felt sorry for sticking the poor guys. The documentation for the game was top of the line.

Not only will it gives you tips as to the installation of the program but it also gives an in-depth overview of the game. After finishing the game, I was thumbing through the manual and I realized that I didn’t need the pad of sticky notes that I have been doodling on. It was all in the book. As I read the manual, I thought that Eidos might have given away too much information on how to play the game. There is a training session when you first start the game and it lets you know what buttons do certain things.

When you get further into the game you gain special powers and it was kind of fun not knowing what these special powers do until you use them. If I had read the manual first I would have known right away what to do with them and I think I would have solved the game sooner. But that would have taken away from the fun factor of the game. My suggestion to any future player is to only read the manual if you have to. Normally, I don’t worry much about violence in games but I did screen this game before letting my son watch me play.

There isn’t any bad language but some of the scenes are a little graphic for the younger folks. Don’t get me wrong, there aren’t any heads being hacked off or anything like that but the game is quite violent.

Look out Lara Croft, Raziel has taken over the neighborhood. From the first moment I loaded the game I knew I was going to love it. The graphics were spectacular and the gameplay was flawless. I only found a couple of problems in the game: first, the save game feature was a little annoying but after playing with it for awhile I realized that it was actually nice to have teleporters for traveling around the land.

Second, there isn’t any multiplayer support, but then again Tomb Raider never had any either and look how well that did in the stores. Lastly, the ending! How can you end a game that is this good? Personally I would have made enough levels so that the consumer could play for at least 24 months. So what if the game would have to fit on 47 CDs, I would build a new room on my house to accommodate them. I mean c’mon now, I have to sit around and wait for the sequel? If the original Legacy of Kain creeped you out, you’ll freak over Crystal D’s latest soul-stealing epic.

At the end of Blood Omen: Legacy of Kain, you’re given the choice to either sacrifice yourself and bring peace to Nosgoth or become its evil dictator you probably didn’t choose to sacrifice yourself–especially after playing the game for over 40 hours. Soul Reaver picks up a millennium after Kain’s dark decision to rule the world, wherein Kain recruited six souls from the underworld to help build his legion of vampires and wipe out the human race.

He then commanded his slaves to construct giant furnaces that would generate enough smoke to cover the sky, thus blocking the sun, which drains their vampire powers. Without worry from the sun, Kain and his legion fed on the souls of the helpless and ruled the bloody land. Networking Software. Trending from CNET. Reaper bit By Cockos Free to try. Download Now. Developer’s Description By Cockos. Full Specifications.

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